Showing posts with label ebooks. Show all posts
Showing posts with label ebooks. Show all posts

8.06.2020

Goodnight Robert, Goodnight Moon, Goodnight Stars, Air & Noises Everywhere

After hearing about Robert, I broke down in tears, fits and sobs really, the kind reserved for family because Robert Stanek was like a father to some of us in the writing community, a favorite uncle, Uncle Robert, to others, and a valued mentor to a great, great many. So many writers, hundreds really, owe their start in writing and careers to this guy, and the same is true of thousands who work in Big Tech, on web-based platforms or in web-based businesses. This guy taught them all how to set up those very businesses. This guy who was larger than life. This guy who was so down to earth. This guy who was so humble. This guy who so loved life. This guy who so loved family. This guy who took care of everyone else. This guy who gave and gave and gave over so many decades to so many and never asked for anything in return.

Robert Stanek was always creating resources to help writers. Writer’s Galley, Internet Job Center, Internet Daily News, others, his earliest efforts in the mid ‘90s. Go Indie, Read Indies, Free Today, and others in the mid ‘00s. He taught us all how to use social media, to create blogs, to use Facebook, to use Twitter and beyond. He created and curated memes like #amwriting, #amblogging, #epicfantasy, #kidslit and #teenlit. He led by example.

By 2000, his professionally published books numbered over 100. Those books, published and distributed by the biggest names in publishing—IDG, Simon & Schuster, Random House, Macmillan, Pearson, Microsoft, McGraw Hill, Time Warner—blazed trails. At a time when few understood the world wide web and its technologies, Robert was not only one of the few recognized world leaders in the web and its technologies, he was the recognized world leader in explaining how those technologies worked clearly and concisely.

Robert was a King maker, unmade by the very things he helped establish. He put upstart Amazon on the map by writing about the company to his audience of millions from its earliest days. He transformed Microsoft Press from a publishing company its readers swore published books in a foreign language called Microsoftese into one praised for publishing books in plain language—that plain language approach Robert himself created and that praise itself was for Robert’s books. His words and style were so beloved they eventually became the plain language style of Microsoft itself.

Credit where credit is due one might imagine, but instead as Robert revealed through his varied writings and blogs, he got no credit for any of it. At the end of the day, his work taught tens of millions, enriched the pockets of his publishers, agents and managers, but left Robert and his family with 3 cents on the dollar. Robert’s work was used in $1B-$2B (yes, B-I-L-L-I-O-N $) worth of training courses and other Microsoft and non-Microsoft work for which he never received a single cent. Not one. None. Zero.


In 2000, Robert Stanek founded the modern indie author movement with his breakout self-published books that transformed publishing and the way we publish today. In 2001, Robert became the first indie author to serialize an e-book at Amazon and has since gone on to write more than 150 indie books. In 2002, his Keeper Martin's Tale and Kingdoms & the Elves books were the first indie e-authored books to top Amazon's bestseller lists. In 2005, the same books were the first indie e-audiobooks to top Audible bestseller lists where they dominated for the next three years (#1 fiction for 14 weeks 2005, 167 weeks Top 10 YA 2005-2008). His Kingdoms & the Elves became one of the top grossing e-audiobooks of all time and was featured on the Audible Home Page throughout the Summer of 2005.


We all know what happens to those who are so far ahead of their time that they seem to exist in a world of their own making. Robert had climbed too many mountains, and those standing at the bottoms of those mountains desperately wanted what he had, and so they did whatever it took to take what Robert had created and claim it as their own or destroy it. Read Robert’s heartbreaking posts about the things that happened to him and you’ll know exactly what I’m talking about. We as a society love to tear down our heroes. We tear them down with lies, with fake news. We puff ourselves up and make ourselves look big, to make those who are larger than life look small.


Sad but true, strange but true, one of Robert Stanek’s favorite sayings was dare to dream and he dared all of us to dream. Not only to dream with him as he conquered the bestseller lists, which he did time after time until he had so many number ones it seemed a thing unreachable in the sky, but to dream our own dream, forge our own paths and to make of our writing and lives whatever beautiful dream we could dream. Robert told me many times that the empty page was friend, not foe, that he never knew a day of writer’s block. He saw the empty page as a challenge, one that he was not afraid to answer, and answer it he did. In his lifetime, over 20 million of his words were published in over 250 books. I know from speaking with Robert that he has half as many words unpublished, words that we all should hope are someday published. Robert had much to say to the world, and his books indeed say much.
Robert challenged us as writers to see the blank page as a friend as well. He dreamed that his books would be his legacy, his way to ensure his family was financially secure. My silence when Robert needed me the most is something I will never forgive myself for. It was shameful. It was disgraceful. It was dishonorable. I hope that Robert can forgive me, forgive all of us, for not doing what we should have when it would have mattered most. I’m sorry, Robert. Please, please forgive me.



To those reading my words, if you want to do one decent thing today, one decent thing this week, read Robert Stanek’s books and tell the world about them. It’s never too late to right a great wrong.







You can learn all about Robert’s Bugville Critters at www.bugvillecritters.com.



You can learn all about Robert’s Magic Lands at www.magiclands.com.



You can learn all about Robert Ruin Mist at www.ruinmistmovie.com.



You can read Robert’s blog at http://robertstanek.blogspot.com/.



You can read about Robert’s Imagined Lands at www.imaginedlands.com.



You can read about Robert’s writing as William Stanek at www.williamrstanek.com.


More about Robert’s writing as Robert Stanek at www.robert-stanek.com.





Any future posts here or elsewhere on Robert’s behalf will be made by the indie writing team. Goodnight Robert, goodnight moon, goodnight stars, air & noises everywhere.

- Cathy Thompson



11.19.2015

Shop Local During the Holidays

A quick update for Go Indies. This holiday season, I urge you to tell friends and family to shop digital online, but shop local otherwise.

Online is the place to buy digital, such as e-books, apps, e-games and e-music, but offline should be where you shop otherwise. Shopping in stores and locally protects jobs and the economy. Millions of jobs are on the line.

Food for thought: For every job Amazon adds to its workforce, up to 10 jobs are taken from the economy. Many of those jobs are gone forever.

Amazon’s vision of the future includes a completely autonomous robotic workforce in its warehouses filling orders replacing people. Robots are already used extensively throughout Amazon’s fulfillment system. Amazon’s vision of the future also includes drones delivering orders, replacing drivers wherever possible. If this future happens, Amazon’s impact on the economy and jobs could double or triple.

Show your support for people, the economy and jobs by blogging, tweeting and sharing:

This holiday season, shop digital online
shop local otherwise.
#shoplocal #savejobs #peoplefirst #jobsfirst

This message is not anti-Amazon; it’s pro people, jobs and the economy. Buy your digital goods wherever; buy your physical goods in stores whenever possible.

Thanks for reading,

Thanks for sharing,

Robert Stanek

2.16.2015

Facebook, Twitter, Blog Promotion Services for eBooks Rounded Up for Your Convenience

I’m Robert Stanek, a pro author since 1994 and an indie since 2001. Today, I have a special report in a continuing series of articles on book promotion services. Book promotion services are marketing services that help authors promote their books for a fee. As these services often charge a pretty penny for such work, the participating authors and I decided to research the low-cost book promotion services available at Fiverr. After all, we thought for $5 what did we have to lose? 

Our findings may shock you – they certainly shocked us.

For this study, 24 authors participated, using the services to promote 39 books from 8 different genres, including:

Mystery
Thriller
Romance
Scifi
Fantasy
Horror
Literary Fiction
Nonfiction

At least 12 of the 24 participants used each service discussed one or more times, as well as 44 similar services for a total of 53 services. What follows is a summary of results gathered between June 2014 and February 2015. In the interest of full disclosure, I gave each participant $20 of fun money to start them off.

Book promotion services at Fiverr are largely the kind that say:

“I’ll promote your book to 2,000,000 on social media!”
“I’ll tweet your book to 50,000 followers!”
“I’ll promote your book to 200,000 on Facebook!”
“I’ll promote your book to the Top 50 Facebook kindle groups!”
“I’ll pin your book, tweet your book, post your book on Facebook to thousands!”

That alone should have been our first clue that we might be wasting our time and money, but what the heck we thought because it’s only $5. Or is it?

Although the name of the website is Fiverr, you typically end up paying much more than $5 for each gig, and a gig is simply an offering from a seller in Fiverr vernacular. For example, Facebookprogig (https://www.fiverr.com/facebookprogig) offers a gig that says “I Will Promote Your Amazon Kindle Ebook to the Top 60 Groups, Twitter, Pinterest for $5” but the gig has up to $30 worth of extras you can add on.

The extras are where the sellers make their real money. Many of the participants fell for the extras big time, figuring if the gig costs $5 I must be getting some extreme value from this $10 or $20 add on. They were wrong. Wrong, as anyone could ever be.

The problem is the buyer really isn’t getting much—if any— additional value from each extra, even though the extras may cost $10, $20, $40, $50, or more each. As an example, with the gig from Facebookprogig mentioned earlier choosing $20 of extras was no more effective than simply choosing the $5 gig itself. 

But was the gig effective in the first place? From the hundreds of reviews, you’d think absolutely that it must be the bees knees of gigs—yes, a 60’s term to hint at our collective gullibility.

The problem we discovered quickly with gigs at Fiverr is that most have a tremendous flood of high praise, along with 100% positives, 98% positives, etc. However, there’s no way of knowing if any of it is legitimately earned or deserved.

Many of those with promotion services at Fiverr hail from Indonesia, Sri Lanka, India, Russia or some other distant shore. Nothing wrong with that whatsoever. However, their profile photos then typically show themselves as a beautiful blond woman, a fair-skinned brunette or something equally out of place.

Blog Promotion

Blog promotion is one several categories of book promotion services. (Our categorization, not Fiverr's) With blog promotion, the seller will post an article on his or her blog about your book.

Lincolnrocks (https://www.fiverr.com/lincolnrocks) promised to promote a book on a Kindle Book Club blog and also tweet about it. Now that seemed like a great idea. Why not have a book on a popular blog? The extras though added up quickly. $20 for extra fast service. $20 to post about your book on Facebook. $50 for side bar advertising on the blog. $10 for an Author Success guide. Meaning, you could quickly be out $105 and not $5. If you want a blog post about your book, spend the $5 and not a penny more, but you’ll be writing your own post.

DreamTheAnswer (https://www.fiverr.com/dreamtheanswer) offers to promote your book on two blogs for $5. You write the articles and they are posted (but quickly drowned in the sea of others following you).

The participants tried many other blog promotion services as well.

Results: The results of using blog promotions of this type from Fiverr were a mixed bag. We’re not sure of the actual value—or if there’s any value at all. Sometimes the articles didn’t even show up in search results.

Our advice: Lots of authors have used blog tours to help find success. Join a blog tour or start your own! The cost then is not $5 or $25, but nothing—and you’ll have a lot more fun.

If you’ve already tried blog tours and want to give blog promotions a try, send a message to any potential seller and ask them for the link to their blog before you buy. That way you can see what you’re getting yourself into.

Facebook Promotion


No shortage of promotion services promise to promote your book on Facebook pages and in popular Facebook groups. Here, by promote, they mean posting a description and buy link for your book.


BookKitty (https://www.fiverr.com/bookkitty) offers to promote your book on several Facebook pages, with a total following of about 15,000 for $5. Not a good value.

Jazzy7 (https://www.fiverr.com/jazzy7) offers to promote your book to 90,000 Facebook fans for $5. For $10 extra you can get 3 additional posting, for $20 you can pin your website URL to the top of her page, for $40 you can get 25 statuses (whatever that is), for $10 you can get social bookmarks. With 2000 reviews and a 96% positive rating, what could go wrong? Plenty. Not a good value.

Best Graphic 201 (https://www.fiverr.com/best_graphic201) will promote a book to 50 kindle reader groups for $5. Her 300+ reviewers seemed to love the service. But is it a good value? Uncertain.

Merlin George (https://www.fiverr.com/merlingeorge001) said she’d post a book to the Top 60 Kindle readers groups and best 20 ebook promotion groups for $5. Reaching 80 groups for $5 isn’t a bad value, and it could save time if you really wanted to post the same message to these groups.

fanni121 (https://www.fiverr.com/fanni121) promises to promote your business / product / ebook to 4 million Facebook fans and said a refund is guaranteed if unsatisfied. The problem is no one who used this service saw any results. Recently, in a follow up test of the service, we also saw no results and contacted fanni121 after he/she stated the gig was delivered. Our lengthy message explaining our test of the service for our research report, also suggesting ways the service could be improved, and making a request for an order modification was met with a rejection of the modification request and no follow up message whatsoever. We followed up again and stated that the gig was supposed to have a money back guarantee and that we were trying to help them give actual value. The response was a single word: Refund. And, we did get a refund.
However, Fb_dami (https://www.fiverr.com/fb_dami) says he can promote a book to over 5 million Facebook fans for $5 (the gig title says 2.5 million but the gig itself says 5 million). For $10 extra, he’ll add a picture or video. For $20 extra, he’ll promote for 3 days. For $50 extra, he’ll bring people to your website and raise your ranking. For $50 extra, he’ll do a huge promotion for 7 days. For $50 extra, he’ll give daily views for 30 days.
Fb_dami's 900+ reviewers seemed to love this service. While you can get everything including fast delivery for a whopping $180, why in the world would anyone ever spend more than $5, or perhaps $15 if you wanted to display a book cover or video? If the promotion works, you can simply run the promotion again.

But does the Fb_dami promotion work for surely it must if actually reaching 5 million? Do the extras work any better? Some limited results were seen for the $5 gig, but it’s a resounding no on the extras. For $20, $50 or $100 you are not getting 4X, 10X or 20X value or results. You’re getting less extra value than if you simply purchased the original $5 gig again at a different date.

UPDATE: 2/24/15. We tested Fb_dami's service again just recently. He now says if you agree to give him a good rating when you sign up for the gig, he'll throw in some free extras worth $30, including pictures with posts and twitter promotion. What you actually get though seems to be the $10 Silver package or part of it. At any rate, if you mention "ReadIndies" when you get the gig, you are supposed to get the same whether you give him a rating or not.

The participants tried many other facebook promotion services as well.

Results: We saw negligible results from BookKitty, Jazzy7 and similar offerings. With offerings that reached many groups or many Facebook users (through many groups), there were some results, especially click through, if few actual sales.

Our advice: Join any of the hundreds of book-related Facebook groups available, many of which are focused on sharing free and discounted books with readers. Where allowed, share posts about your books. You’ll quickly accomplish a few things. You’ll likely get better results than you would if someone made posts for you, and you’ll also get to meet other authors and readers. 

Post to 10 popular groups and you’ll reach 50,000 to 100,000 all by yourself and without spending anything. You’ll likely sell books too and with no cost at all. Want help reaching your first 25,000 or so? Join the GoIndie and FreeToday groups on Facebook @ http://www.facebook.com/groups/goindie/ and http://www.facebook.com/groups/freetoday/. This'll cost you the grand sum of $0.

Twitter Promotion


With twitter promotions, the seller promises to tweet about your book a certain number of times, usually once or twice for $5.

Indie Book Value (https://www.fiverr.com/indiebookvalue) will tweet your book to his/her 75,000 followers for $5 and says he/she is a #1 bestselling Amazon author in his/her category. For $10 extra, you can get four tweets per day for a month. For $20 extra, you can get 12 tweets a day for a month. For $40 extra, you can get twelve tweets for two months. Not a good value, not even for $5.

Gsmolin (https://www.fiverr.com/gsmolin) says he is a "#1 bestselling Amazon author who will tweet your book to 665,000 ebook lovers and has the only twitter promotion service with proven results". For $10 extra you can get the Gold service -- one tweet a day for 5 days. For $20 extra you can get Platinum service – one tweet a day for 5 days with hash tags, which is the same strategy the author says he "uses to get his books into the Amazon Top 100".

Although George was friendly, very responsive to questions and helpful, his service doesn't have the following suggested. In fact, the tweets from his accounts have little actual following. For example, the account used for .99 books has only 150 or so followers. The 665,000 ebook lovers the tweets are supposed to reach is based on using hash tags in tweets, such as #kindle #ebook, etc.

George did craft great tweets, but were they worth $5 each? Not in our opinion. It's also worth noting that George is the only one who took me up on the second chance offer I discuss later under Disclosure and seemed to be one of the few who actually, genuinely wanted to help authors succeed.

The participants tried many other twitter promotion services as well.

Results: We saw negligible results with Indie Book Value and similar offerings from those with less than 100,000 followers. It was refreshing to find that some gigs in this category had a relatively few reviews as compared to the floods of gushing praise found elsewhere for gigs of highly questionable value or merit.

Our advice: Twitter’s free to use. Tweet with appropriate hash tags when talking about your books and you’ll reach beyond your followers to others who follow those hash tags. A hash tag is simply a keyword, such as book, preceded by the number sign (#), as in #book. Tweet with #GoIndie #ReadIndies or #FreeToday as your hash tags and I may retweet you to 30,000+ followers. My fee since forever for a retweet: $0. That's right, nothing.

Disclosure 

Though I tracked and compiled the results with the participating authors, I myself did not participate. Before writing this report, I tried to give every seller listed a second chance. I posted a private message to each explaining I was researching book promotion services. I explained the research and asked them to give a free test run of their service, the results of which I would also include in the report. There was only one taker, though plenty of complaints, and that should tell you everything you ever needed to know about these services from Fiverr. We will continue this research throughout 2015 hoping against the odds to find services of actual value.

Closing Thoughts

Working on this special report was an eye-opening experience for everyone involved. To a one, we came away with a single, overriding thought. That thought was this: 

When you see a gig at Fiverr with hundreds or thousands of rave reviews, get the hell out of there. 

Increasingly, the same is true of Amazon.

Remember also that $5 in Sri Lanka, India and Indonesia is an excellent hourly wage and that $50 can represent nearly a week's wages. Average monthly salary after taxes:


Sri Lanka $265
Indonesia $275
India $460

Therefore, it was extremely disappointing to find that nearly every one of these services treat your gig as if it has no value to them, often using automated means to perform the actual work required or simply copying and pasting something over and over -- and always doing as little as possible. Worse, the same remained true even when we bought gigs extras that added up to a lot of money.

The participants and I didn't expect a lot for $5 or even $20. However, we did expect that when we worked with parties in countries where this represents a good wage, we would actually get good, earnest efforts on our behalf -- and that rarely, if ever, happened.


Update


Wanted to update this special report based on feedback from Fiverr sellers. It's important to note that Fiverr takes a 20% commission on all monies received and also holds funds for at least two weeks (18 or more days typically). This lengthy payment process makes some sellers reluctant to give 100% efforts, especially with new members or those they haven't previously worked with. 

When working with international sellers, it's important to keep in mind that $5 can represent a lot of money and your cancellation of an order or request for a refund could cause serious harm. Rather than canceling an order or requesting a refund, try working with the seller to see if you can come to a mutually agreeable resolution.


Thanks for reading,


Robert Stanek

12.22.2014

Translating JA Konrath Translating John Sargent: Are Subscription Models Bad For Authors?

I'm Robert Stanek, a successful indie author since 2001 and a successful pro author since 1994. Joe Konrath is quite outspoken about his dislike and disdain for traditional publishing. Some would even say Joe is quite angry. I don't blame Joe for his anger considering he labored for many years as a traditionally published author, barely making a living, until he went indie and finally found true success. In past blog posts, Joe has angrily tore apart trad published authors like James Patterson and others, including the Authors Guild, for their defense of traditional publishing. (For the record, this is not meant as a dis on Joe.)

Personally, I think Joe should be more angry about the broken state of publishing and many of the things I've been blogging about right here: runaway ugliness in publishing; Amazon's broken system; Amazon's unfair business practices; etc.

There is no doubt Joe's an unfettered champion of Amazon, but Joe has much to learn about the heartless, soulless company in Seattle that puts smiley faces on its boxes while working to destroy everything we love about books and reading. If Joe really thinks any executive at Amazon gives a damn about his loyalty, my advice is this: wait a few years and see how they repay your loyalty when you're not making $1 million a year.

I became a pro author the same year Amazon became a company: 1994. I was one of the guy's who put Amazon on the map. My bestselling books, widely read articles, and highly popular websites all told readers about Amazon. I brought millions of new customers to Amazon's doorstep. My reward for years of steadfast loyalty? A handful of shit from a company that could care less about years of loyalty or the millions brought to their doors. And when they use you up, Joe, and shit you out on the pavement, there'll be a thousand guys in line to take your place who all will also think their loyalty means something.

Recently Joe's war against traditional publishing has taken him in new directions. He posted a tirade as a  response to Macmillan CEO John Sargent’s open letter to authors regarding tactics the company is taking to preserve market share in these difficult times for publishing (and books in general). Personally, I think John should have posted such a letter on Macmillan's site and not a Tor.com blog, but that's neither here nor there as I'm sure the letter went out in printed letters, email, etc as well.

As my books have been published by Macmillan, Random House, Pearson, Simon & Schuster, Hachette, etc, John's words were of particular interest. One of the biggest takeaways from the letter is that Amazon sells 64% of Macmillan's ebooks (meaning all other markets represent only 36%). I was not surprised to learn Macmillan was going to begin trials of subscription-based services. I had just done the same in September/October with my ebooks and audio books going into several subscription services.

I was surprised that Joe, whose books are all in Amazon's subscription service, Kindle Unlimited, was suddenly telling Macmillan authors that they should be screaming their heads off about Macmillan's potential use of subscription services. Is not what's good for the goose, good for the gander?

If subscription services devalue authors' works and are bad, why are 100% of Joe's works in Amazon's subscription service? Also, with current payouts for Kindle Unlimited not being far off from what Joe earns in KDP Select, isn't KDP Select devaluing his work and bad as well? As far as I know, Joe has been fine with the ~$1.70 payout of KDP Select, making north of $1 million from borrows, so what makes the ~$1.50 payout of Kindle Unlimited any different?

Joe's questions for John Sargent on behalf of Macmillan authors. My responses in normal type.

1. Can I opt out of this new subscription idea?

Likely, many/most authors are excited about these opportunities, especially with dwindling sales for most, increasing competition and decreasing market relevance. Recently, another publisher (Pearson/Microsoft) did allow me to opt out no questions asked from a new plan I didn't like.

2. My books aren't available in print anymore, or the print sales are minuscule. Can you give me my rights back?


Regarding reversions of rights, there's not a whole hell of a lot authors can do. Joe was fortunate to get his rights back from Macmillan. Many others won't be as fortunate. 

Macmillan made a huge amount of money from my books, north of $50 million, give or take. In the early days when I was writing for Macmillan, I worked hard to make my contracts more fair and balanced, but rights were something they held fast to. A lucky few might get back their rights, but may have to wait a decade or two until Macmillan believes the rights no longer have any value.

There are worse things than publishers holding onto rights. Ever heard of the Creative Commons? The Creative Commons basically is a set of rules for putting an author's work in public domain before copyright expires. In plain language, Creative Commons makes the work freely available to all.

In and of itself, Creative Commons is not a bad thing and was in fact created with the best of intentions. However, some publishers have turned those good intentions to their favor. As an example, O'Reilly Media's standard contract puts an author's work into Creative Commons automatically when it goes out of print or sells fewer than X copies a year (and then also grants O'Reilly Media a perpetual grant to use the work for free). 

For many O'Reilly Media authors this has meant that in 2 - 5 years after publication, their hard work is suddenly in the public domain and O'Reilly Media is free to start using it however they want in perpetuity. Now that's something to be outraged about.

Questions 3 - 17 are all pretty much the same: Why a subscription service? What does this mean to me when you went to war with Amazon over prices?

The fight with Amazon wasn't about price at all. It was about who gets what share of the royalties. See Selling Your Soul to the Company Store.

Joe's further comments in bold italics. My comments in normal type.

Macmillan supporting Oyster and withdrawing titles from Amazon is going against what the majority of the world is doing. That isn't kicking Amazon in the nuts. That's throwing away potential money, and pretty stupid. At this moment in time, competing with Amazon isn't wise. Look for markets Amazon doesn't care about.  Throwing support behind one of Amazon's competitors--when Amazon has the same program--is like starting a fire by burning piles of cash. Yeah, you get heat, but at what cost?

Um, earlier, you said this:

I'm unclear: are you only pursuing this subscription model with Amazon's competitors? Or are you going to also enroll my ebooks in Kindle Unlimited? If so, doesn't that negate everything you've done previously? If not, and you put my ebooks into Scribd or Oyster or wherever, will my ebooks still be sold on Amazon? Or will you pull them from Amazon?

I think a test of the subscription model will be exactly that. A test to determine viability. Likely, Macmillan will use Oyster and possibly Scribd as well for this test. Further, John states exactly this: We plan to try subscription with backlist books, and mostly with titles that are not well represented at bricks and mortar retail stores.

And can someone answer how any author, other than a big bestseller, would ever sign with Macmillan knowing their books are going into a subscription plan?

One could ask the same of any author who has considered or used subscription plans. Joe, you currently do this, and you also use KDP Select for all of your titles. As far as I know, the ~$1.70 payout of KDP Select and the ~$1.50 payout of Kindle Unlimited aren't much different.

The reason most writers sign legacy deals, other than getting an advance, is legacy's ability to get paper books onto retail shelves.

Strongly disagree. The reason most writers sign legacy deals is because of the worldwide reach of traditional publishers coupled with the belief that there is more potential for sales success. I'm not saying this is true any longer, but it is a long-held perception.

Thanks for reading,

Robert Stanek

12.09.2014

Avast Ye Matey: What to Do if Your eBook is Pirated

Lots of talk about piracy these days and much discussion about whether it's worth the effort to try to take down pirate copies or whether it's simply a whack-a-mole undertaking. IMHO, I think the answer as to whether trying to reduce or eliminate piracy of your work is worth the effort depends on the author and his/her body of work.

For an author starting out or with only a relative few books to his or her credit, piracy likely will not cause harm and may actually be a net benefit. Yes, you read that correctly: a net benefit. Some authors spend a considerable amount of time, money and resources giving away free copies of their books and a limited amount of piracy could be seen as one way to get free copies of a book into the marketplace.

For other authors, such as those with many works or some modicum of success, some piracy is part and parcel with being an author. However, too much piracy can derail success.

I've been a professionally published author since 1995 and have over 150 books to my credit (William Stanek for technical works, William Robert Stanek for learning books and compilations, and Robert Stanek for everything else I write). My books have generated well over $100 million in sales at retail. Or put another way over 7.5 million people have purchased my works, $59.99 at retail x 2 million = ~$120 million and the other 5.5 million+ sales at other price points were gravy.

I've been researching the impact of piracy on sales of my books for many years. Part of this research has been tracking the number of illegal downloads, which runs into millions of copies, and the sites where these downloads are/were available. Many of my most valuable properties were made available for illegal downloading, including audiobook and book products that retailed for $29.99 to $59.99. The total value at retail of the stolen: $100 million+.

I have no illusions that my sales would have been twice what they were if my work hadn't been illegally downloaded by the millions. I do, however, believe a considerable portion would have. The exact portion is unknowable, but even if only 10% that's tens of millions of dollars in sales.

How many content creators have been impacted similarly? My thoughts are that thousands have been. Maybe not as considerably as myself, but certainly collectively this pirating represents billions of lost sales annually.

For authors concerned about piracy, there are an increasing number of tools. You can try sending a DMCA Takedown notice to the site owner, such as the following:

DMCA
VIA Email at [[ISPHosting[at]YourIsp.com]]
Re: Copyright Claim
To [[ISP Hosting Company Where Your Work Is Being Infringed]]:
  I am the copyright owner of [[BOOK] in contract with [PUBLISHER]] being infringed at:
 [[http://www <list the exact link or links to where the infringement is taking place>]]
 This letter is official notification under the provisions of Section 512(c) of the Digital Millennium Copyright Act ("DMCA") to effect removal of the above-reported infringements. I request that you immediately issue a cancellation message as specified in RFC 1036 for the specified postings and prevent the infringer, who is identified by its Web address, from posting the infringing photographs to your servers in the future. Please be advised that law requires you, as a service provider, to "expeditiously remove or disable access to" the infringing book downloads upon receiving this notice. Noncompliance may result in a loss of immunity for liability under the DMCA.
 I have a good faith belief that use of the material in the manner complained of here is not authorized by me, the copyright holder, or the law. The information provided here is accurate to the best of my knowledge. I swear under penalty of perjury that I am the copyright holder. Please send me at the address noted below a prompt response indicating the actions you have taken to resolve this matter.
  Sincerely,
 [[Your Name]]
 [[Your Email]]
 [[Publisher and Publisher email <if you have a publisher> ]]

Several services also have been started recently to help authors fight piracy. One of those services is www.Muso.com. Muso.com offers a free trial period and then acts as a paid monthly service.

I've tested out the Muso service for some time to see how it worked and whether it was useful to me. For me, the free trial was the most useful aspect of the service as it quickly identified all the locations where my books were being pirated (as opposed to me manually performing searches of all my titles, variations of title names, my name, variations of my name, etc).

If you use the monthly service, you can have them send out takedown notices for you. Once you have these locations, you also can send your own DMCA Takedown Notices where there were instances of actual piracy. However, you still need to check each location. For example, about 1/3 of the sites identified weren't actually pirating my work and about 1/3 weren't actually full pirate copies of my work--they were simply samples. For those remaining that were actually pirated copies, I could have specified that I wanted the service to send automated take down notices.

You also can set up Google Alerts for your books and your name to help you track where your books are appearing online. Notifications from Google Alerts will include information about all locations the tracked books appear, including those that are legitimate and those that are illegitimate. Because of this, you'll need to go through and identify which are legitimate and which are illegitimate. Once you've done that you can issue takedown notices as appropriate.

Hope this information helps you,

Robert Stanek

9.27.2012

Summer of Indie, Last Call with Robert Stanek


Summer of Indie is coming to a close. It’s been a long run… and a lot of hours to put together, keep running, and spread the word to help make it a success.

For authors who are featured, I hope the event helped introduce your work to new readers and your fellow authors as well. Awareness of an author and his or her books is important and it can help your long-term sales and success. Getting to know fellow indie authors is just as important. It’s a big world out there. There are many authors who may have similar interests to your own and it’s good to get to know them, even if only through their work and these pages.

For readers who have visited (and will visit) these pages, I thank you. I hope you’ve enjoyed the features presented throughout Summer of Indie and I know you’ve checked out some of the many books presented because I’ve seen the results. On average about 175 people tuned in each day and overall the event has brought in about 16,000 page views so far. That kind of success makes all the hard work worth it.

For me Summer of Indie was a dream—a dream I brought to life as another way to help other authors and introduce readers to new authors, new books, and new ideas. I think the time spent was well worth it. Best of all, these pages and features will remain available and they can help introduce readers to the authors and books featured here for a long time to come.

Reading this, you may wonder what’s ahead. To that, I say stay tuned. There's much ahead including some Best Of Summer of Indie Picks, Guest Posts and I hope eventually, posts from my next book on writing: Enduring Writing (tentative title). Think of it as a follow up to my book Effective Writing, the little book read by more readers than I ever imagined possible since it was first released in audio so many years ago. It's not Strunk and White's The Elements of Style, but like that other diminutive book it has legs. I hope Enduring Writing will have legs too.


In the mean time, continue to dream and while you're dreaming dream BIG. I know I am, and I know Buster is too because so many readers have read or listened to his adventures. Who knew stories about a little bug and his friends would garner so much interest and start to become so beloved. Just goes to show you that anything's possible when you dream BIG.

Finally, whether this is your first visit to Go Indie - Read Indies or you've been following Summer of Indie from the beginning, I hope you'll pick up some of the books by the many authors featured here. Who knows, maybe you'll also pick up a few books by that Robert Stanek guy too. 

Buster sure hope's so, and he's off exploring the Solar System just in case...



Thank you for reading! Please bookmark Go Indie - Read Indies and check back in the days, weeks, and months ahead.


-- Robert Stanek

9.20.2012

Summer of Indie with Robert Stanek

I’m Robert Stanek and I’m your host here at Go Indie - Read Indies. I’ve been writing professionally for many years and will celebrate the publication of my 150th book next year. That’s a lot of books, a lot of years, and a lot of readers.

Summer of Indie kicked off in grand style with a party on April 28. More than 35 indie authors turned out for the event.

Beginning in June and continuing throughout the summer, Summer of Indie featured indie authors and their books. Nearly 100 indie authors were featured in all, along with their many, many books. In fact, as many featured authors had written several books, hundreds of books were introduced and talked about.
How far indies have come in so few years. How many naysayers are eating eggs. Back in 2001 when my first indie book was released as an ebook serial there were very few indie books and even fewer indie success stories. I'd like to think I helped change that when my Ruin Mist books quickly became top sellers on Amazon. Like the little engine that could, the Ruin Mist books are the little books that could.
Year after year the books have had steadily increasing readership. Interest from movie production companies has come and gone. New editions and new books have been introduced. A graphic novel and comics are out. I work now on a script that may some day be the first Ruin Mist movie (or it may not). Who knows for sure what the future may bring...
I thought 2002 was a banner year when print sales soared beyond my wildest expectations and I was living with a smile on my face. I thought that year would never be topped, never be achieved again. Until I brought Ruin Mist to audio in 2005 and the books catapulted to #1 on Audible for FOURTEEN consecutive weeks and then stayed on the Kids & YA Top 10 for the next THREE YEARS.
 
When that massive run ended, I thought, "Oh man, this is the end of the ride, but what a ride it's been." Then sales rocketed again and I had my best few years ever as a writer. That was nirvana. That was magical.
By 2011 I thought for sure the ride was over. That this was it for Ruin Mist, but it wasn't so. The 12 months from Oct 11 to Sep 12 has brought more new readers to the world of Ruin Mist than any other 12-month period. Ever... Who knew books published so many years ago could still have best years ahead of them.

My point being, you never know. That first or next book you write may be the one. Then again it might not, but you never know until you put yourself out there.
I had no idea nearly a million people would read the Ruin Mist books over the past 11 years. But they have...
I don't know if a million more will read the books in the next 11 years. But they may...
And if this inspires you... Hit a few out of the park for me and tell the world Robert Stanek sent you.
Thanks for reading!
 
Got an indie success story to share, send it in and I'll share it right here at Go Indie - Read Indies.
-- Robert Stanek
 

6.20.2012

Summer of Indie Begins in 1 Day



Summer of Indies Begins in 1 Day.


Summer of Indie features many of the best and brightest stars of today's indie scene.

Spread the word. Follow, post, tweet about: http://readindies.blogspot.com 

Summer of Indies biggest supporters so far: 
  • Brian Bigelow
  • Tammie Clarke Gibbs
  • Rachel Hunter
And: GRACE GUERRA and the Book Junkies Library.

6.19.2012

Summer of Indie Begins in 2 Days



2 days to Summer of Indie. 

Summer of Indies features many of the best and brightest stars of today's indie scene.

Summer of Indie is a FREE event. I'm Robert Stanek and I'm donating my time to support the event. Summer of Indie is a celebration of the indie author and the indie book. It's all about recognizing indie authors and celebrating their books.

You can support Summer of Indie by following this blog, encouraging others to follow and tweeting. Tweet, Tweet, Tweet...

#Readers, once you #GOIndie, you get Great #Books, Better Prices! #FB: http://t.co/L4JndVk0 #Blog: http://t.co/Wm8eI7ay via @RobertStanek

#SummerOfIndie #ahead #AmIn Are You In? http://readindies.blogspot.com via @RobertStanek #books #authors


Join us for Summer of Indie! Spread the word!

6.18.2012

Summer of Indie Begins in 3 Days!


3 days to Summer of Indie. 

Summer of Indies features many of the best and brightest stars of today's indie scene.

I'm Robert stanek, and I'm IN, and here's a few other indie authors who also are in:

A.D. Duling
Ashley Fontainne
Brian Bigelow
C. M. Barrett
Carolyn Arnold
Chicki Brown
Doreen McGettigan
Erik Gustafson
Jerry Last
Leigh M. Lane
Linda Leander
Lisa Bilbrey
Lynne Cantwell
Melissa Pearl
Michele Richard
Michelle Hughes
Nadia Scrieva
Nicole Storey
Rachel Hunter
Sharon Cooper
Staci Stallings
Suzie Welker
Tammie Clarke Gibbs
Tracy James Jones
Valerie Douglas

Join us for Summer of Indie! Spread the word!

4.15.2012

Explore the Titanic in a Way You Never Imagined - Shipbuilder

Today I'm talking with Marlene Dotterer about her book The Time Travel Journals: Shipbuilder, which my friends over at the Sony Reader Store were kind enough to feature in yesterday's Reader Store Newsletter spotlighting Titanic related books. (Thank you, Audrey and Cindy @ Sony -- you're the best!)

Talk about the Titanic is everywhere lately thanks to National Geographic's extensive feature on the ship and the disaster in the April 2012 issue of the magazine and the return of the Titanic movie to theaters in 3D.

Born in Tucson, Arizona, Marlene Dotterer lived there until the day she loaded her five children into her station wagon, and drove north-west to the San Francisco Bay Area. Since then, she has earned a degree in geology, worked in nuclear waste, run her own business as a personal chef, and now teaches natural childbirth classes. She writes, “to silence the voices,” obsessed with the possibilities of other worlds and other times.

Marlene belongs to the California Writers Club, Romance Writers of America, and the Online Writing Workshop for Science Fiction, Fantasy, and Horror.
Online Marlene hangs out at her blog (http://marlenedotterer.wordpress.com/), on Twitter @marlenedotterer and on Facebook (https://www.facebook.com/marlenedotterer).


[More about Marlene] Read the follow up interview with Marlene @ Robert Stanek's Around the Town Books


So what's Marlene's book about?

Imagine being there before the Titanic set sail.
Now imagine being there before she’s even built.

Sam Altair is a physicist living in Belfast, Ireland. He has spent his career researching time travel and now, in early 2006, he’s finally reached the point where he can send objects backwards through time. The only problem is, he doesn’t know where the objects go. They don’t show up in the past, and no one notices any changes to the present. Are they creating alternate time lines?

To collect more data, Sam tries a clandestine experiment in a public park, late at night. But the experiment goes horribly wrong when Casey Wilson, a student at the university, stumbles into his isolation field. Sam tries to rescue her, but instead, he and Casey are transported back to the year 1906. Stuck in the past, cut off from everyone and everything they know, Sam and Casey work together to help each other survive. Then Casey meets Thomas Andrews, the man who will shortly begin to build the most famous ship since Noah’s Ark. Should they warn him, changing the past and creating unknown consequences for the future? Or should they let him die?

The construction of White Star Line’s Olympic-class ships forms the backdrop for a passionate love affair between Tom and Casey, who must overcome the many differences inherent between an Edwardian Irish gentleman, and a member of America’s Generation Y. The fictional love affair grows alongside real lives from history: the Andrews family of Comber, Lord William Pirrie, Bruce Ismay, and the thousands of skilled men who built the remarkable ocean liners of the early twentieth century.



Sound interesting? Get the book:
Sony: Ereader
Kindle: Amazon
See a Shipbuilder movie ahead for Marlene? I do.