Showing posts with label macmillan. Show all posts
Showing posts with label macmillan. Show all posts

9.15.2016

Finding Success as a Writer and Becoming a Bestselling Author

a picture of robert stanekI'm Robert Stanek and today I'm writing about finding success as a writer and becoming a bestseller. In 1995, I attended a writer’s conference on Maui, hosted at the swanky Ritz-Carlton Kapalua. I’d just signed my first contract with Macmillan after years of trying to break in to publishing as a writer. Unlike most other attendees, I didn’t stay at the Ritz-Carlton—the hotel wasn’t something I could afford at the time. On a military salary, with a wife and toddler accompanying me, the best I could afford was a $79 a night room a few miles away, and the only reason I could afford to get to Maui in the first place was because I was stationed on Oahu, where I worked at the hush-hush NSA facility Edward Snowden made famous. 

As I wrote about in my post “How Betsy Mitchell, SheilaGilbert, Diana Gill, Beth Meacham, Jim Minz, Tom Doherty, and Other PublishingLegends Helped Launch My Writing Career” I’d previously received a number of encouraging responses to my debut novel, Keeper Martin’s Tale, and other works of fiction I’d written from Magic Lands to The Pieces of the Puzzle. It’d taken years to break in, but I’d finally managed it.

The conference was mostly about breaking in as a writer, with seminars on writing, getting agents, getting published and such. I felt a little like the cat who swallowed the canary, as I’d already managed to land a contract. It wasn’t something I’d say in the crowd I’d found myself in, many of whom were rather snobby and elitist, certain they were the best writer in the world and that their big break was just around the corner.

The conference went poorly and I ended up skipping big parts of it to spend time with my wife and son instead. Nonetheless, attendance taught me some valuable lessons, especially about how much I disliked snobby elitists. I also decided sitting around talking about writing for hours and hours was a colossal waste of time. Instead of talking about writing, I would instead just write.

And just write I did. My first book, Electronic Publishing Unleashed, was 1031 pages in print and I wrote 800 pages of it over a 4-month period while also working full-time in the military. The other 200 pages of the book were written by contributors, one of which was originally supposed to be the author of the book, but for one reason or another wasn’t able to produce what was required. Meanwhile, the acquisitions editor loved my work and kept expanding my role in the book until I was its author and the others were contributors.

Electronic Publishing Unleashed was published in September 1995 to great success and I signed a contract for a second book with Macmillan almost immediately. This book, Web Publishing Unleashed, was entirely my project from start to finish. The book was written to a tight schedule, and I wrote as much of it as I dared as quickly as I could: again 800 pages over a 4-month period. I hand selected the contributors to round out the content and the book was published in March 1996 to even bigger success than the first.

Meanwhile, I was at a crossroads in my military career. I’d earned my Bachelor’s and Master’s degrees while in Hawaii and my commanders were recommending me for Officers Training School (OTS). As one of the most decorated soldiers in the unit and a frequently recognized top performer, I knew most of the top brass and they knew me. After OTS, I could have any job I wanted in the military. But then there was this writing thing.

You’d think my initial success in writing would make the answer an easy one. That second book was a blockbuster bestseller from the start. It was selling like snow cones during a heat wave. But the answer wasn’t an easy one. I’d written Electronic Publishing Unleashed as a work for hire, meaning I received no royalties, even though the book had over $2.5 million in sales. I’d written Web Publishing Unleashed as a royalty contract, but I had received a very low rate, even with an agent. How low? Less than 1/2 the industry standard rate, and then since I’d signed up with an agent, he was going to get 1/5th of that.

Worse, I wouldn't receive my first royalty check for some time. It takes months for royalty payments to make it to authors. Books are published, shipped to stores. Stores pay based on sales, typically in 90 days or so, and in 90 days or so after getting paid, publishers pay authors. Still, my publisher loved my work and was in the process of signing me to three new contracts for FrontPage UnleashedPeter Norton’s Guide to Java Programming and Web Publishing Unleashed Professional Reference Edition.

Thus, when I decided to leave the military in June 1996, I had no idea where I was going to go or even if I would actually ever get paid royalties. My wife, son and I ended up in a tiny apartment in Oregon. Still waiting for that first royalty payment and living off the dregs of advances, I wrote all three books in the apartment manager’s back room. The tiny apartment wasn’t big enough for writing, and my wife’s sister and her daughter had joined us in Oregon and moved in with us as well. Fortunately, the building manager graciously offered me the writing space, where I was cooped up 16 hours a day working to finish all those books.

How we ended up in Oregon? I'm not really sure myself. It is where Peter Norton was. Perhaps at the time I thought since I was writing Peter Norton’s Guide to Java Programming with Peter Norton he’d actually be working with me on the book. As it turned out, I never even got to meet Peter and his contribution to the book was nothing more than his name even though he received half the royalties. Peter Norton’s Guide to Java Programming was published in July 1996.

By this time, offers from other publishers were pouring in. One in particular that intrigued me was from PC Magazine. They were looking for a regular contributor to write technology articles about the Internet, the Web and related technologies. Exactly the space I worked in. I was up to my ears in books, but how could I or anyone else possibly turn down $1+ a word?! I took the offer and started writing regularly for the magazine.

After a few months in Oregon, the family and I moved on to Washington state, and the wait began anew for the first royalty check to reach me. However, I finally did have advances in hand for the three books I’d written. The publisher had made a special effort to get the payments to me and I’d also finalized two new contracts for FrontPage 97 Unleashed and Netscape ONE Developer’s Guide.

Those payments paid for a U-Haul and helped secure a larger apartment in Olympia, which was about 8 hours or so away from where we lived in Oregon. My wife’s sister and her daughter were still living with us, so we really needed the big space. While we were there, FrontPage Unleashed was published (September 1996) and I was already hard at work on the other books and writing for PC Magazine.

The new apartment was nice enough, but still not a home for my family, and still rather crowded with my wife's sister and her daughter living with my family. Nonetheless, we settled in and I worked. My writing space was in the master bedroom, so I had the difficult task of crawling out of bed to a chair a few feet away every morning where I wrote through the day and into the evening.

For months, the rapid succession of contracts, delays from the publisher, delays from my agents (I was with Studio B by this time) and other things had all been between me and ever getting paid my first royalty check for all the work I was doing. That check seemed some sort of myth by this time, so I was unsure if I'd ever receive it and rather certain I'd made a horrendous mistake by leaving the military.

Just about the time every cent we had ran out and our options were running out, a check finally arrived. The check was for the first royalty book I’d written, which had been published in March of that year. It was now September.

In the military, I barely made enough to get by. I’d finished college and earned my degrees only because my wife worked overtime to help pay the tuition. The check I was holding in my hand was two year’s military salary. I nearly fell over. It’d taken months to get to me, but there it was. Proof that I’d done something right.

To say that we celebrated that night is an understatement, but we weren't able to go out anywhere or do anything special. It takes days for a paper check to clear, especially when it's made out for a huge amount of money, and the one credit card we had was maxed out already. Still, we celebrated.

The next month, October, my wife’s sister and daughter moved out. With writing seeming like a sure thing for the future, my wife and I started looking for a house. We found one right away and by early November we moved in. It was our first house. We quickly made it a home.

There are a big surprise for us soon after, and just in time for Thanksgiving: another royalty check.

I was upstairs working in the office when my wife brought it to me. She’d opened the letter and from her expression I wasn’t quite sure whether it was extremely good news or extremely bad news.

At my hesitation, my wife said, It's good news, really good news.

And it was. I’d never seen that much money in my life, yet there it was on a check written out to me.

I was stunned, shocked.

My wife gave me a big kiss and wrap her arms around me. We stood like that for the longest time, just reveling in the moment. It was a measure of my success as a writer. A success as wild as any I ever imagined.

The books I had been working on were published shortly after. Web Publishing Unleashed Professional Reference Edition in December 1996, FrontPage 97 Unleashed in January 1997 and Netscape ONE Developer’s Guide in March 1997. Altogether, those early books had many millions in sales at retail, exceeding even the wildest of my wildest dreams.

In your own writing, dare to dream. You never know what might happen.

Thanks for reading, I’m William Robert Stanek, Microsoft’s #1 author for nearly 20 years, and author of over 200 topselling books.

12.22.2014

Translating JA Konrath Translating John Sargent: Are Subscription Models Bad For Authors?

I'm Robert Stanek, a successful indie author since 2001 and a successful pro author since 1994. Joe Konrath is quite outspoken about his dislike and disdain for traditional publishing. Some would even say Joe is quite angry. I don't blame Joe for his anger considering he labored for many years as a traditionally published author, barely making a living, until he went indie and finally found true success. In past blog posts, Joe has angrily tore apart trad published authors like James Patterson and others, including the Authors Guild, for their defense of traditional publishing. (For the record, this is not meant as a dis on Joe.)

Personally, I think Joe should be more angry about the broken state of publishing and many of the things I've been blogging about right here: runaway ugliness in publishing; Amazon's broken system; Amazon's unfair business practices; etc.

There is no doubt Joe's an unfettered champion of Amazon, but Joe has much to learn about the heartless, soulless company in Seattle that puts smiley faces on its boxes while working to destroy everything we love about books and reading. If Joe really thinks any executive at Amazon gives a damn about his loyalty, my advice is this: wait a few years and see how they repay your loyalty when you're not making $1 million a year.

I became a pro author the same year Amazon became a company: 1994. I was one of the guy's who put Amazon on the map. My bestselling books, widely read articles, and highly popular websites all told readers about Amazon. I brought millions of new customers to Amazon's doorstep. My reward for years of steadfast loyalty? A handful of shit from a company that could care less about years of loyalty or the millions brought to their doors. And when they use you up, Joe, and shit you out on the pavement, there'll be a thousand guys in line to take your place who all will also think their loyalty means something.

Recently Joe's war against traditional publishing has taken him in new directions. He posted a tirade as a  response to Macmillan CEO John Sargent’s open letter to authors regarding tactics the company is taking to preserve market share in these difficult times for publishing (and books in general). Personally, I think John should have posted such a letter on Macmillan's site and not a Tor.com blog, but that's neither here nor there as I'm sure the letter went out in printed letters, email, etc as well.

As my books have been published by Macmillan, Random House, Pearson, Simon & Schuster, Hachette, etc, John's words were of particular interest. One of the biggest takeaways from the letter is that Amazon sells 64% of Macmillan's ebooks (meaning all other markets represent only 36%). I was not surprised to learn Macmillan was going to begin trials of subscription-based services. I had just done the same in September/October with my ebooks and audio books going into several subscription services.

I was surprised that Joe, whose books are all in Amazon's subscription service, Kindle Unlimited, was suddenly telling Macmillan authors that they should be screaming their heads off about Macmillan's potential use of subscription services. Is not what's good for the goose, good for the gander?

If subscription services devalue authors' works and are bad, why are 100% of Joe's works in Amazon's subscription service? Also, with current payouts for Kindle Unlimited not being far off from what Joe earns in KDP Select, isn't KDP Select devaluing his work and bad as well? As far as I know, Joe has been fine with the ~$1.70 payout of KDP Select, making north of $1 million from borrows, so what makes the ~$1.50 payout of Kindle Unlimited any different?

Joe's questions for John Sargent on behalf of Macmillan authors. My responses in normal type.

1. Can I opt out of this new subscription idea?

Likely, many/most authors are excited about these opportunities, especially with dwindling sales for most, increasing competition and decreasing market relevance. Recently, another publisher (Pearson/Microsoft) did allow me to opt out no questions asked from a new plan I didn't like.

2. My books aren't available in print anymore, or the print sales are minuscule. Can you give me my rights back?


Regarding reversions of rights, there's not a whole hell of a lot authors can do. Joe was fortunate to get his rights back from Macmillan. Many others won't be as fortunate. 

Macmillan made a huge amount of money from my books, north of $50 million, give or take. In the early days when I was writing for Macmillan, I worked hard to make my contracts more fair and balanced, but rights were something they held fast to. A lucky few might get back their rights, but may have to wait a decade or two until Macmillan believes the rights no longer have any value.

There are worse things than publishers holding onto rights. Ever heard of the Creative Commons? The Creative Commons basically is a set of rules for putting an author's work in public domain before copyright expires. In plain language, Creative Commons makes the work freely available to all.

In and of itself, Creative Commons is not a bad thing and was in fact created with the best of intentions. However, some publishers have turned those good intentions to their favor. As an example, O'Reilly Media's standard contract puts an author's work into Creative Commons automatically when it goes out of print or sells fewer than X copies a year (and then also grants O'Reilly Media a perpetual grant to use the work for free). 

For many O'Reilly Media authors this has meant that in 2 - 5 years after publication, their hard work is suddenly in the public domain and O'Reilly Media is free to start using it however they want in perpetuity. Now that's something to be outraged about.

Questions 3 - 17 are all pretty much the same: Why a subscription service? What does this mean to me when you went to war with Amazon over prices?

The fight with Amazon wasn't about price at all. It was about who gets what share of the royalties. See Selling Your Soul to the Company Store.

Joe's further comments in bold italics. My comments in normal type.

Macmillan supporting Oyster and withdrawing titles from Amazon is going against what the majority of the world is doing. That isn't kicking Amazon in the nuts. That's throwing away potential money, and pretty stupid. At this moment in time, competing with Amazon isn't wise. Look for markets Amazon doesn't care about.  Throwing support behind one of Amazon's competitors--when Amazon has the same program--is like starting a fire by burning piles of cash. Yeah, you get heat, but at what cost?

Um, earlier, you said this:

I'm unclear: are you only pursuing this subscription model with Amazon's competitors? Or are you going to also enroll my ebooks in Kindle Unlimited? If so, doesn't that negate everything you've done previously? If not, and you put my ebooks into Scribd or Oyster or wherever, will my ebooks still be sold on Amazon? Or will you pull them from Amazon?

I think a test of the subscription model will be exactly that. A test to determine viability. Likely, Macmillan will use Oyster and possibly Scribd as well for this test. Further, John states exactly this: We plan to try subscription with backlist books, and mostly with titles that are not well represented at bricks and mortar retail stores.

And can someone answer how any author, other than a big bestseller, would ever sign with Macmillan knowing their books are going into a subscription plan?

One could ask the same of any author who has considered or used subscription plans. Joe, you currently do this, and you also use KDP Select for all of your titles. As far as I know, the ~$1.70 payout of KDP Select and the ~$1.50 payout of Kindle Unlimited aren't much different.

The reason most writers sign legacy deals, other than getting an advance, is legacy's ability to get paper books onto retail shelves.

Strongly disagree. The reason most writers sign legacy deals is because of the worldwide reach of traditional publishers coupled with the belief that there is more potential for sales success. I'm not saying this is true any longer, but it is a long-held perception.

Thanks for reading,

Robert Stanek